Carole Condé and Karl Beveridge have worked together as photographers in Toronto since 1979, consulting with trade unions to produce class-identified photo narratives. Their Cibachrome tableaux combine the visual appeal of corporate advertising with agit-prop montage elements. Using actors, props and painted sets, their staged photography projects labour issues through the codes of commercial culture.
The exhibition was much visited by photo students from NSCAD, an institution with which the artists have a long-standing association.
