BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//MSVU Art Gallery - ECPv6.15.1.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:MSVU Art Gallery
X-ORIGINAL-URL:https://www.msvuart.ca
X-WR-CALDESC:Events for MSVU Art Gallery
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Halifax
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20000402T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20001029T050000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20000708
DTEND;VALUE=DATE:20000831
DTSTAMP:20260404T055635
CREATED:20190816T172213Z
LAST-MODIFIED:20190816T184133Z
UID:16720-963014400-967679999@www.msvuart.ca
SUMMARY:Adrian Piper: A Retrospective 1965-2000
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Curator Maurice Berger for Fine Arts Gallery\, University of Maryland\, Baltimore County \nAdrian Piper\, who premiered the performance Funk Lessons at NSCAD in 1983\, played a formative role in the emergence of Conceptual art in the 1960s and 1970s. The African American artist/philospher continues to influence developments in identity-based art. Paradoxically\, her reliance on Minimalist and Conceptual modes enhances the ability of her art to challenge intransigent attitudes about race\, gender and difference. Piper’s objects\, installations\, performances\, videos and sound works establish a compelling relationship between artist and spectator. They permit neither to retreat to the defensive rationalizations that distance art from topics as discomforting as bigotry and xenophobia. \nFunded in the USA by the Peter Norton Family Foundation\, Lannan Foundation\, Andy Warhol Foundation for the Visual Arts\, and the Maryland State Arts Council\, this exhibition appeared at MSVU Art Gallery in connection with HX\, a city-wide festival of international contemporary art organized by the Contemporary Art Projects Society (CAPS).[/vc_column_text][vc_gallery type=”image_grid” images=”16725\,16724\,16723\,16722″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/adrian-piper-a-retrospective-1965-2000/
CATEGORIES:Feminisms,Film & Video,Gender & Sexuality
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Adrian-Piper.-The-Mythic-Being-I-Embody-Everything-You-Most-Hate-and-Fear.-Oil-crayon-on-black-and-white-photograph-18-x-26-cm-1975.jpg
END:VEVENT
END:VCALENDAR