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DTSTART;VALUE=DATE:20061014
DTEND;VALUE=DATE:20061127
DTSTAMP:20260522T041454
CREATED:20190816T144517Z
LAST-MODIFIED:20190816T144517Z
UID:10000171-1160784000-1164585599@www.msvuart.ca
SUMMARY:Pulse: Film & Painting After the Image
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]The collective La Femme 100 Têtes\, in collaboration with Mount Saint Vincent University Art Gallery\, presents Pulse: Film and Painting After the Image\, co-curated by Ingrid Jenkner and Barbara Sternberg\, in consultation with Gerda Cammaer. \nPulse brings experimental film into dialogue with contemporary abstract painting by presenting the two art forms adjacent to one another in the same gallery space. The films were selected for their tendencies to dismantle the stability of the representational image\, or to dispense with it altogether. The paintings match these tendencies by emphasizing optical vibration\, repetition\, rhythm\, layering and blurring of figure-ground distinctions. While traditional narrative cinema and representational painting offer fixed images\, the selections in Pulse bring out the counterimage (and afterimage) of process. The prevailing aesthetic is pulsatile–similar to that of blinking neon signs or the strobe effects of video games. This optically active environment emphasizes the shared concerns of artists who work in time-based and space-based media. \nFilmmakers: Christina Battle\, Vincent Grenier\, Emmanual LeFrant\,\nRose Lowder\, Frederic Worden \nPainters: Cora Cluett\, Stephen Fisher\, Nicole Collins\, Angela Leach\, Monica Tap\,\nShirley Wiitasalo \nOPENING RECEPTION Sunday\, October 15 at 2:00pm with informal talk by Barbara Sternberg\, filmmaker and member of La Femme 100 Têtes curatorial collective. The free charter bus leaves 5163 Duke Street at 1:30pm\, returning downtown at 5:00pm. \nAn illustrated catalogue with essays by Jenkner and Sternberg provides a complete document of the project. \nSupport from the Canada Council for the Arts is gratefully acknowledged[/vc_column_text][vc_gallery type=”image_grid” images=”17025\,17026\,17027\,17028\,17029\,17030\,17031\,17032\,17033″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/pulse-film-painting-after-the-image/
LOCATION:Canada
CATEGORIES:Film & Video,Modernist Survivals,Nova Scotian Artists,Painting
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Pulse-Film-and-Painting-After-the-Image-Installation-View-MSVU-Art-Gallery-1-2006.jpg
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DTSTART;VALUE=DATE:19990115
DTEND;VALUE=DATE:19990208
DTSTAMP:20260522T041454
CREATED:20190816T173859Z
LAST-MODIFIED:20190816T173859Z
UID:10000012-916358400-918431999@www.msvuart.ca
SUMMARY:Style Council
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]The term “style” has been displaced in the art lexicon by phrases such as “signifying practice.” Yet distinctiveness\, elegance\, even perversity of expression continue to enjoy a lively currency in the art world. \nThe curatorial consortium of Pamela Edmonds\, Ingrid Jenkner\, Robin Metcalfe\, and Robert Zingone was organized to explore this phenomenon from distinct curatorial perspectives. Treating “style” as an art packaging paradigm\, a sign of social identity\, a gendered construct or the badge of fashionability\, the four selectors each presented two or three works of art that embody one or more of these principles. \nRelated event: Wednesday\, January 20\, 1999\nHairstyles\nA public panel discussion for the style conscious was held in the Art Gallery with Pamela Edmonds\, Rebecca Fisk\, Greg Forrest\, & Robin Metcalfe.[/vc_column_text][vc_gallery type=”image_grid” images=”16642\,16643″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/style-council/
LOCATION:Canada
CATEGORIES:Emerging Artists,Nova Scotian Artists,Photography,Sculpture & Installation
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Installation-view-of-Style-Council.-Foreground-Greg-Forrest.-Background-Peter-Walker-1999.jpg
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