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DTSTART:19950402T060000
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DTSTART:19951029T050000
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DTSTART:19961027T050000
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DTSTART;VALUE=DATE:19951111
DTEND;VALUE=DATE:19960108
DTSTAMP:20260501T022100
CREATED:20190816T181806Z
LAST-MODIFIED:20190816T181806Z
UID:10000072-816048000-821059199@www.msvuart.ca
SUMMARY:After Perestroika: Kitchenmaids or Stateswomen
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]This exhibition included more than thirty works completed since 1988 by leading “unofficial” Russian artists. Like their Western avant-garde counterparts\, many of these artists work in photographic\, textile and performance-based media. Their art explored the contradictions in the roles assigned to Soviet women in the post-totalitarian climate of “refeminization” and disemployment. On a public discussion panel\, faculty from three Halifax universities first evoked the fascinating history of art under totalitarianism\, then deconstructed the feminist “orthodoxy” of the thinking behind the exhibition.[/vc_column_text][vc_gallery type=”image_grid” images=”16457\,16456″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/after-perestroika-kitchenmaids-or-stateswomen/
LOCATION:Canada
CATEGORIES:Feminisms,Gender & Sexuality,Painting,Sculpture & Installation
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