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DTSTART;VALUE=DATE:20060408
DTEND;VALUE=DATE:20060731
DTSTAMP:20260502T144941
CREATED:20190816T162405Z
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UID:10000166-1144454400-1154303999@www.msvuart.ca
SUMMARY:Paperworks
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]In 2004\, Eye Level Gallery commissioned Paperwork30– a limited edition of 25 boxed sets\, each containing one original work by each of 20 Halifax-affiliated artists—to celebrate its thirtieth anniversary. MSVU acquired one set for its permanent collection\, and the 20 framed works comprise the Windowbox exhibition\, Paperworks. Photography\, printmaking\, painting\, drawing\, ink wash–the works span a diverse range of media\, expertly handled by artists whose contributions exemplify thirty years of contemporary art practice in Halifax. The artists are: Lucie Chan\, Peter Dykhuis\, Cliff Eyland\, Michael Fernandes\, Suzanne Funnell\, Leah Garnett\, Suzanne Gauthier\, Arthur Handy\, Sarah Hartland-Rowe\, Steve Higgins\, Garry Neill Kennedy\, Drew Klassen\, Micah Lexier\, Kelly Mark\, Rita McKeough\, Daniel Olson\, Jan Peacock\, Mathew Reichertz\, Allison Rossiter\, Emily Vey Duke and Cooper Battersby.[/vc_column_text][vc_gallery type=”image_grid” images=”16962″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/paperworks/
LOCATION:Canada
CATEGORIES:Drawing & Printmaking,Nova Scotian Artists,Painting,Photography
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Lucie-Chan-Untitled-2004.jpg
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DTSTART;VALUE=DATE:20020914
DTEND;VALUE=DATE:20021028
DTSTAMP:20260502T144941
CREATED:20210202T162053Z
LAST-MODIFIED:20210202T162053Z
UID:10000212-1031961600-1035763199@www.msvuart.ca
SUMMARY:In Another Place\, Part II Prospect 9: Lucie Chan
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” overlay_strength=”0.3″ column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]In the art of Lucie Chan\, the implication of displacement and dispersal extends diasporic themes introduced in Lily Markiewicz’s installation. Chan has exhibited in Halifax with the Sister Visions collective and with Garry Neill Kennedy in Westward Ho. In keeping with the aims of the “Prospect” series\, this is her first solo exhibition in a public gallery. \nThe installation Something to Carry contains five booth-like structures\, three of which may be entered. Each paper enclosure is suspended from the ceiling. The “walls” are composed of ink-and-brush drawings on 8.5″ x 11″ bond paper\, glued together at the edges to form sheets 8 feet high by 3.5 to 6 feet wide. The walls of structures that can be entered are formed by a double thickness of drawings\, facing outward and inward. Some of drawings have been cut out and joined together to form lace-like veils. \nChan cuts up figure drawings and reassembles the parts to form a composite structure spanning floor to ceiling. The freely suspended webs of imagery evoke a spatial metaphor on home as “elsewhere.” The artist describes her process as “remembering and forgetting\,” and compares the effect of her installations to “entering someone else’s dream state.”[/vc_column_text][vc_gallery type=”image_grid” images=”17891\,17892\,17893\,17894″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/in-another-place-part-ii-prospect-9-lucie-chan/
LOCATION:Canada
CATEGORIES:Drawing & Printmaking,Nova Scotian Artists,Sculpture & Installation
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2021/02/Lucie-Chan-Prospect-9001.jpg
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