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X-WR-CALDESC:Events for MSVU Art Gallery
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DTSTART;VALUE=DATE:20000120
DTEND;VALUE=DATE:20000131
DTSTAMP:20260703T102129
CREATED:20190816T172732Z
LAST-MODIFIED:20190816T172732Z
UID:10000134-948326400-949276799@www.msvuart.ca
SUMMARY:True Patriot Love: The Films of Joyce Wieland
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Curated by Cinemathèque Ontario \nI think of Canada as female. All the art I’ve been doing or will be doing is about Canada. I may tend to overly identify with Canada.” Wieland’s passionate nationalism arose from her concern about the American takeover of Canadian natural resources\, coupled with faith in “feminine” ecological principles. It was her inspiration to appropriate the fervour of American patriotic feeling\, and to harness it to a counter-nationalism that playfully subverted Trudeau’s dictum\, “Reason Over Passion.” Wieland’s inventive experimental films of the 1960s and 1970s are enjoying a revival among critics and feminist film scholars. The travelling retrospective of 17 films in 16mm format includes well-known shorts such as Water Sark (1964) and Rat Life and Diet in North America (1968)\, plus La Raison Avant la Passion (1967) and the feature-length melodrama The Far Shore 1975. \nFilm series and exhibition presented with support from the Canada Council for the Arts.[/vc_column_text][vc_gallery type=”image_grid” images=”16694″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/true-patriot-love-the-films-of-joyce-wieland/
LOCATION:Canada
CATEGORIES:Film & Video
ATTACH;FMTTYPE=image/png:https://www.msvuart.ca/wp-content/uploads/2019/08/Joyce-Wieland.-The-Far-Shore-still-1975.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20000108
DTEND;VALUE=DATE:20000313
DTSTAMP:20260703T102129
CREATED:20190816T172840Z
LAST-MODIFIED:20190816T172840Z
UID:10000128-947289600-952905599@www.msvuart.ca
SUMMARY:Joyce Wieland: A Vignette
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]At the turn of the millennium\, while the flag waves over a disgruntled and divided nation\, Joyce Wieland’s anti-patriarchal\, femino-patriotic art makes a surprisingly fresh statement. This small gathering of works (1960-1971) by the New York and Toronto-based Canadian artist includes drawings\, a stuffed assemblage\, a quilt\, a painting and a pair of tiny\, erotic bronzes. Also on view is her famous print O Canada\, made by “kissing” the lithographic stone at N.S.C.A.D. in 1970. Viewers may detect in these works many structural parallels and references to Wieland’s films of the same period. \nIn both her experimental films and her artmaking\, Joyce Wieland (1931-1988) favoured artisanal modes of production that required little money or technical apparatus. Her methods of construction evolved into an ethics: self-reflexive\, committed to the exposure of female subjectivity and authorship\, and quick to encompass other positions of oppression and silence.[/vc_column_text][vc_gallery type=”image_grid” images=”16686″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/joyce-wieland-a-vignette/
LOCATION:Canada
CATEGORIES:Drawing & Printmaking,Textiles
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Joyce-Wieland.-Sinking-Liner-1963.jpg
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