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DTSTART;VALUE=DATE:19990417
DTEND;VALUE=DATE:19990531
DTSTAMP:20260611T141941
CREATED:20190816T173535Z
LAST-MODIFIED:20190816T173535Z
UID:10000016-924307200-928108799@www.msvuart.ca
SUMMARY:Prospect 7: Amanda Schoppel — Corporeal
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Amanda Schoppel’s “Prospect” exhibition illustrated her inventive use of an unorthodox sculptural material\, at an unprecedented scale. As she says: \nUsing looped rubber bands to build large forms is inherently labour intensive. I have my reasons for working this way. For me the rubber band provides abundant possibilities\, involving tension or potential tension\, internal systems and the inevitable degradation or life span. \nThe work has a fleshy quality that is irresistably tactile\, both disgusting and appealing.[/vc_column_text][vc_gallery type=”image_grid” images=”16658\,16659″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/prospect-7-amanda-schoppel-corporeal/
LOCATION:Canada
CATEGORIES:Emerging Artists,Nova Scotian Artists,Sculpture & Installation
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Amanda-Schoppel.-Corporeal-detail-of-1-of-3-structures.-Looped-rubber-bands-and-welded-metal.-2.1-m-x-68.58-cm-x-45.7-cm-1999.jpg
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DTSTART;VALUE=DATE:19990331
DTEND;VALUE=DATE:19990503
DTSTAMP:20260611T141941
CREATED:20190816T173622Z
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UID:10000015-922838400-925689599@www.msvuart.ca
SUMMARY:Lunch Money
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]To demonstrate how artmaking counteracts the effects of privation\, the Toronto-based curators Kim Fullerton and Cheryl Sourkes made an exhibition of works by young artists from Vancouver\, Saskatoon\, Toronto\, Montreal\, and Halifax. They write: \n“Lunch Money is a metaphor for conjuring something pleasurable out of conditions of the bare minimum. You only have enough money for lunch buy you don’t spend it on lunch. The art in Lunch Money provides … an escape from austerity\, depression\, lack of money or opportunity. It is what you see on the wallpaper when dreaming with your eyes open… \nLunch Money is not about the body. If you stayed with the body\, you would have lunch. It is about giving the hunger of the soul precedence.”[/vc_column_text][vc_gallery type=”image_grid” images=”16654\,16655″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/lunch-money/
LOCATION:Canada
CATEGORIES:Emerging Artists,Film & Video,Painting,Sculpture & Installation
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Lisa-Baldissera.-Snow.-VHS-video-still-1997.jpg
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