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BEGIN:VEVENT
DTSTART;VALUE=DATE:20221102
DTEND;VALUE=DATE:20230212
DTSTAMP:20260522T163343
CREATED:20221102T155310Z
LAST-MODIFIED:20230126T174036Z
UID:10000247-1667347200-1676159999@www.msvuart.ca
SUMMARY:Documenting the Permanent Collection: work/s on view
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]In anticipation of Mount Saint Vincent University’s 150th anniversary in 2023\, MSVU Art Gallery will be displaying and documenting works from the University’s permanent collection. MSVU Art Gallery Collections Assistant\, Kelsey McLaughlin\, and Gallery Technician\, David Dahms\, will transfer select artworks from storage to the Gallery in order to photograph each piece and update collection records. The focus will be on works by Alice Egan Hagen (1872-1972)\, a renowned Nova Scotian ceramicist and MSVU alumna. The university’s permanent collection holds over 100 paintings and ceramics by Alice Egan Hagen\, which were donated to the school by the artist in 1966. \nThis documentation work by Kelsey and David will take place in the Gallery\, alongside a selection of paintings by Alice Egan Hagen and other artists from the permanent collection. \n  \nAbout Alice Egan Hagen\n\nAlice Hagen was born in Halifax to Lieutenant-Colonel Thomas Egan and his wife Margaret. Starting in 1882\, she studied at the Mount Saint Vincent Academy and later enrolled in the Victoria School of Art and Design. In the 1890s\, Hagen studied with the Nova Scotia artist Bessie Brown and later with Adelaide Alsop Robineau\, the American painter and potter\, in New York. While she worked in both oils and watercolours\, china painting was her first passion. By 1896 she had acquired a sufficient degree of fame to be 1 of 16 artists commissioned to paint a state dinner service for the Governor General. Hagen is considered to be the founder of the studio pottery movement in Nova Scotia although it was only in 1931\, at the age of 60 and after a tour of Europe\, that she set up her own pottery studio and kiln in Mahone Bay. She studied with Robert Prescott\, a potter located in Lantz\, Nova Scotia\, and began to work with local clays. She remained an active potter into her 90s.[/vc_column_text][divider line_type=”No Line”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/documenting-the-permanent-collection-work-s-on-view/
LOCATION:Canada
CATEGORIES:Nova Scotian Artists
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2022/11/1966.1.45-AEH-scaled-e1667339250791.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20060115
DTEND;VALUE=DATE:20060201
DTSTAMP:20260522T163343
CREATED:20190816T162733Z
LAST-MODIFIED:20190816T162733Z
UID:10000058-1137283200-1138751999@www.msvuart.ca
SUMMARY:Alice Egan Hagen (1872-1972)\, Nova Scotian China Painter - Window Box Series
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Alice Egan Hagen\, an alumna of Mount Saint Vincent Academy\, is considered a pioneer of studio pottery in Nova Scotia. She was in her early sixties when\, in 1931\, she decided to learn to make pottery so as to teach it to others. Soon she had set up kilns at several locales and was conducting pottery classes. She continued to sell pottery from her home in Mahone Bay well after her ninetieth birthday. \nIn the early 20th century\, women who actively pursued education and professional careers were referred to as “New Women”. Alice Hagen fits this description: she financed her education as a china painter and made her living in this profession before transforming herself into a self-taught potter. Her contemporaries\, Helen Creighton\, the Nova Scotian folklorist\, and Mary Black\, the Nova Scotian craft promoter\, were also “New Women”. All three of these entrepreneurial women shaped the cultural profile of Nova Scotia as we know it today. \nThis exhibition presents four china vessels painted by Alice Egan Hagen around the turn of the nineteenth century. Three of the items have been selected from the large collection she donated to the University in 1966. \nWhen the young Alice Egan began to study the art in Halifax in the 1890s\, china painting was one the few occupations regarded as suitable for respectable women. (Some of the other approved occupations were dress-making\, teaching school\, and running boarding houses.) Egan enjoyed an international reputation for china painting and received several major commissions\, besides keeping up a flourishing teaching practice. \nChina painting is the hand decoration of commercially manufactured blank forms which have already been fired with a clear glaze. The china painter applies low-fire overglaze colours and fires the piece again. Alice Hagen\, for example\, used blanks imported from France\, Britain\, Bavaria and Japan\, among other countries. She worked in her own professional studio at the corner of Barrington and Sackville Streets in Halifax. In the late 19th century only a few women worked as professionals in china factories such as those operated by Wedgewood and Doulton. Most industrial or commercial china painters were men.[/vc_column_text][vc_gallery type=”image_grid” images=”16937\,16938\,16939″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/alice-egan-hagen-1872-1972-nova-scotian-china-painter-window-box-series/
LOCATION:Canada
CATEGORIES:Design,Feminisms,Gender & Sexuality,Nova Scotian Artists
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Alice-Hagen.-Jardinière-with-Mi’kmaq-Portraits-1901.-French-porcelain-handpainted-in-enamel-overglaze-and-gilt-20.5-x-29.2-cm.-MSVU-Collection-date-unknown.jpg
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