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BEGIN:VEVENT
DTSTART;VALUE=DATE:20040114
DTEND;VALUE=DATE:20040301
DTSTAMP:20260723T112223
CREATED:20190816T165207Z
LAST-MODIFIED:20190816T165207Z
UID:10000158-1074038400-1078099199@www.msvuart.ca
SUMMARY:Lecture Notes
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]With works in various media by Michael Fernandes\, Rainer Ganahl\, Mike Hein\, Suzy Lake\, John Marriott\, Lani Maestro and Adrian Piper\, Lecture Notes has plenty to say about the giving and receiving of lectures. Selected works document or recreate the lecture as a teaching situation\, content-free spectacle\, celebrity forum\, or occasion for daydreaming\, among other possibilities. Some are funny; others\, unsettling. All are relevant to one of Metro’s most established industries: post-secondary education. \nRainer Ganahl represented Austria at the 1999 Venice Biennale. His activist work engages with the forms and content of education and politics\, whether through publishing\, exhibitions\, or public actions such as the Reading Seminars. Ganahl presented the Frantz Fanon Reading Seminar at the gallery in February.[/vc_column_text][vc_gallery type=”image_grid” images=”16860\,16859″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/lecture-notes/
LOCATION:Canada
CATEGORIES:Film & Video,Sculpture & Installation
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Rainer-Ganahl.-SeminarLecture-Laverne-Comtois-Jean-Stevenson-Lucy-Kumak-Henriette-McKenzie-Michèle-Audet-Nakusset-Fam-etc.-Courtesy-of-the-artist-and-Paul-Petro-2000.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20000708
DTEND;VALUE=DATE:20000831
DTSTAMP:20260723T112223
CREATED:20190816T172213Z
LAST-MODIFIED:20190816T184133Z
UID:10000142-963014400-967679999@www.msvuart.ca
SUMMARY:Adrian Piper: A Retrospective 1965-2000
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Curator Maurice Berger for Fine Arts Gallery\, University of Maryland\, Baltimore County \nAdrian Piper\, who premiered the performance Funk Lessons at NSCAD in 1983\, played a formative role in the emergence of Conceptual art in the 1960s and 1970s. The African American artist/philospher continues to influence developments in identity-based art. Paradoxically\, her reliance on Minimalist and Conceptual modes enhances the ability of her art to challenge intransigent attitudes about race\, gender and difference. Piper’s objects\, installations\, performances\, videos and sound works establish a compelling relationship between artist and spectator. They permit neither to retreat to the defensive rationalizations that distance art from topics as discomforting as bigotry and xenophobia. \nFunded in the USA by the Peter Norton Family Foundation\, Lannan Foundation\, Andy Warhol Foundation for the Visual Arts\, and the Maryland State Arts Council\, this exhibition appeared at MSVU Art Gallery in connection with HX\, a city-wide festival of international contemporary art organized by the Contemporary Art Projects Society (CAPS).[/vc_column_text][vc_gallery type=”image_grid” images=”16725\,16724\,16723\,16722″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/adrian-piper-a-retrospective-1965-2000/
LOCATION:Canada
CATEGORIES:Feminisms,Film & Video,Gender & Sexuality
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Adrian-Piper.-The-Mythic-Being-I-Embody-Everything-You-Most-Hate-and-Fear.-Oil-crayon-on-black-and-white-photograph-18-x-26-cm-1975.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20000318
DTEND;VALUE=DATE:20190526
DTSTAMP:20260723T112223
CREATED:20190816T172341Z
LAST-MODIFIED:20190816T172341Z
UID:10000138-953337600-1558828799@www.msvuart.ca
SUMMARY:taboos\, titillations & thrills
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]The selected works challenge the hermeticism of the “white cube.” Together\, by means of direct address and selective disclosure\, these works reconfigure the gallery as a test site in the quest for intimacy. Vito Acconci’s body-art lithographs of the 1970s resonate with Adrian Piper’s My Calling (Cards) #1 & #2 (1986-90) and Lisa Steele’s pathbreaking video\, Birthday Suit – with scars and defects (1974). Representing the next generation\, the Torontonian Shary Boyle contributes small bookworks that expose the dark side of grrrl-dom. Nova Scotians Charlie Murphy and Matt Reid also aim to position the viewer as confidant or witness with “confessional” photo-collages\, text and video. \nThe rhetorical address of the art ranges from the overtly autobiographical to the teasingly confessional. Text or first-person voiceover appear to establish the artist as subject\, but the pronoun “you” is also used provocatively to engage the viewer in an intimate dialogue. The responses cued by some of the works are organized around the politics of gender and sex — themes that emerged in video and performance art of the 1970s and have since permeated other artistic media. \nOpening\nThere was a joint opening reception for the exhibitions taboos\, titillations & thrills and Twisted on Friday\, April 28\, 2000.[/vc_column_text][vc_gallery type=”image_grid” images=”16712\,16713\,16714″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/taboos-titillations-thrills/
LOCATION:Canada
CATEGORIES:Feminisms,Gender & Sexuality,Nova Scotian Artists,Photography
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Charlie-Murphy.-The-Letter.-Detail-1999.jpg
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