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DTSTART;VALUE=DATE:20260613
DTEND;VALUE=DATE:20260810
DTSTAMP:20260612T090906
CREATED:20260602T173540Z
LAST-MODIFIED:20260602T173540Z
UID:10000271-1781308800-1786319999@www.msvuart.ca
SUMMARY:Allyson Mitchell: Brain Child
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Organized by MSVU Art Gallery \nAllyson Mitchell’s Brain Child assembles a collection of over one hundred ceramic figurines\, depicting little girls clad in old-fashioned bonnets\, long skirts\, and frilly pinafores. These figurines were particularly ubiquitous in the 1970s and 1980s\, with Holly Hobbie\, Strawberry Shortcake\, the doe-eyed Precious Moments kids\, and others modeled a particularly retrograde version of feminine presentation and behavior\, one where little girls are expected to be sweet\, and kind\, ever-cheerful\, tidy\, quiet and demure\, and above all\, cute as buttons. \nWithin Mitchell’s installation\, these figurines are recast as pint-sized femme-savants\, whose oversized bonnets protect their big\, beautiful brains. They are queued up\, in two long\, curling lines before a giant brain\, crafted out of repurposed pink afghans\, that hovers high above them. Although this ritual gathering suggests a collective\, perhaps cult-like devotion to intellectual pursuits\, Mitchell has given the figurines subversive makeovers that emphasize their individuality and distinctiveness. Some have been reglazed in ultra-bright fluorescent hues\, others in a 1970s palette of mossy\, murky shades of green and brown\, rich oranges\, reds\, and golds. Some wear moody all-black goth while others are awash in highly saturated colours and clashing patterns that cover not only their dresses and bonnets\, but also their faces\, hands\, and hair. Together\, they attest to the expansive and subversive potential of femme identity\, presentation\, and intellect. \nImage: Allyson Mitchell\, Brain Child\, 2008\, mixed media installation. Photo courtesy of Union Gallery and the artist.[/vc_column_text][divider line_type=”No Line”][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]About the Artist \nAllyson Mitchell’s individual and collaborative practice spans sculpture\, performance\, installation\, film\, and comics engaging feminist and queer politics through humour\, excess\, and critique. Her work has generated projects such as the fat activist collective Pretty Porky and Pissed Off\, a coven of lesbian feminist Sasquatch monsters\, a room-sized Vagina Dentata\, and Killjoy’s Kastle: A Lesbian Feminist Haunted House\, presented internationally with collaborator Deirdre Logue. Together\, Mitchell and Logue run FAR Feminist Artist Residency in rural Ontario. Mitchell is a Professor in Gender\, Sexuality\, and Women’s Studies at York University and publishes graphic memoir comics you can find on Substack @ I May Never Answer Your Email and This Is Why.[/vc_column_text][divider line_type=”No Line”][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Artist Talk and Curated Screening: Private Caves\, Blanket Forts and Dream Scores \nSaturday\, June 13\, 1:00-3:00 pm\nThe Centre for Art Tapes\, 2238 Maitland Street\, Halifax\, NS\nPresented in partnership with The Centre for Art Tapes \nThis artist talk and screening looks at how artists use installation/sculpture\, drawing\, music\, and animation to build strange worlds\, emotional landscapes\, and intimate visual languages. Featuring short films and videos\, the program wanders through dreamscapes\, private caves\, hand-drawn rhythms\, and animated forms of graphic narration and tale spinning that move between feeling\, memory\, and imagination. \nCurated by Allyson Mitchell\, Private Caves\, Blanket Forts and Dream Scores features video by Daniel Barrow\, Karma Clarke-Davis\,  Theo Cuthand\, Andrea Dorfman\, Jesi Jordan\, Annapurna Kumar\, Christine Latham\, Anita Lebeau\, Amy Lockhart\, James MacSwain\, Allyson Mitchell\, Amanda Strong\, Leslie Supnet\, and Theoretical Puppets. \nLight refreshments will be served\, and all are welcome to attend.[/vc_column_text][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/allyson-mitchell-brain-child/
CATEGORIES:Feminisms,Gender & Sexuality,Sculpture & Installation,Textiles
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2026/06/Allyson-Mitchell-Resized.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260621
DTEND;VALUE=DATE:20260810
DTSTAMP:20260612T090906
CREATED:20260520T130631Z
LAST-MODIFIED:20260520T174255Z
UID:10000270-1782000000-1786319999@www.msvuart.ca
SUMMARY:George Bernard Jr.: Light & Legacy
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Organized by MSVU Art Gallery \nWorking out of his Cole Harbour studio\, Projection Photo Graphics\, and as an independent artist\, photojournalist\, and community volunteer\, Bernard made remarkable contributions to the African Nova Scotian community archive. His studio portraits are a testament to the importance of self-representation; subjects radiate the confidence\, warmth\, and joy that comes from being truly seen. Over the decades\, he documented protest marches\, legislative assemblies\, church and community gatherings\, and visits by civil rights activist Minniejean Brown-Trickey\, Archbishop Desmond Tutu\, and Tina Turner\, among others\, creating an archive that attests to the power of collective action\, community\, faith\, and dialogue. \nAs a graphic designer\, illustrator and photographer\, Bernard took on projects that helped advance the professional\, artistic\, social\, and political pursuits of other Black Nova Scotians. He produced materials for the Nova Scotia Association of Black Social Workers\, designed and illustrated the 1982 Black Business Directory\, photographed the acappella group Four the Moment for their award-winning album\, We’re Still Standing\, and took family portraits of the congregants of the Victoria Road Baptist Church for their 145th Anniversary publication\, among many other projects. \nA prolific artist\, Bernard also worked in pen and ink\, watercolour\, and acrylic\, creating delicate\, detailed renderings of historic Black churches\, dramatic coastal landscapes\, beloved family members\, and quiet scenes of life in the townships. \nComprised of select photographs\, paintings\, drawings\, objects\, and print ephemera from George Bernard Jr.’s extensive body of work\, Light & Legacy sheds light on the artist’s remarkable curiosity\, kindness\, and talent—and on his prescient awareness that a single moment of connection can have a lasting impact\, particularly if it is documented\, cherished\, and shared. Bernard’s creative spirit and commitment to uplifting others remain central to the legacy he leaves behind. \nThis exhibition is accompanied by limited-edition print publication which includes an essay by award-winning filmmaker and writer Sylvia D. Hamilton. \nImage: George Bernard Jr.\, Delmore ‘Buddy’ Daye\, 1991\, black and white archival print from digitized negative on paper\, 27.9 x 35.6 cm. Image courtesy of the artist’s estate. \n[/vc_column_text][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]About the Artist \nGeorge Cedric ‘Sonny’ Bernard Jr. (1947–2025) was born and raised in Lake Loon and resided in East Preston\, Nova Scotia. A lifelong learner\, Bernard studied art\, photography\, and communications at the Nova Scotia College of Art and Design\, the Bill Brown Photography School\, and the Royal Academy of Arts in London\, among other institutions\, earning diplomas in Visual Communication Design\, Network Communication Technology\, and Information Technology. \nAs the founder of Projection Photo Graphics\, Bernard offered studio portraiture\, wedding and event photography\, videography\, and graphic design services. A dedicated community volunteer\, church congregant\, and Canadian Armed Forces Reservist\, Bernard also served as the official photographer for the Nova Scotia Association of Black Social Workers. Through these various roles\, he documented local churches\, international visitors\, and community events across the Atlantic Region with care and sensitivity.[/vc_column_text][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Opening Reception and Exhibition Tour with Senator Wanda Thomas Bernard \nSaturday\, June 20\, 1:00-3:00 pm \nJoin us in celebrating the opening reception of George Bernard Jr.: Light & Legacy. During this special event\, Senator Wanda Thomas Bernard will share the stories behind many of her husband’s photographs\, drawings\, and paintings\, offering a personal account of the artist’s life\, practice\, and enduring legacy. Light refreshments will be served\, and all are welcome to attend.[/vc_column_text][/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/george-bernard-light-and-legacy/
CATEGORIES:Drawing & Printmaking,Nova Scotian Artists,Painting,Photography,Race
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2026/05/Buddy-Daye-rotated-e1779281551709.jpg
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