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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230601
DTEND;VALUE=DATE:20240101
DTSTAMP:20260526T095534
CREATED:20231019T184013Z
LAST-MODIFIED:20231214T135306Z
UID:10000249-1685577600-1704067199@www.msvuart.ca
SUMMARY:Fracture/Suture
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line”][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\nAbout the Publication\nFracture/Suture is a print-based artist book showcasing the work and words of five artists at the intersection of first aid and art. Curator Undine Foulds offers a helpful guide of common first aid frameworks translated for artists and arts workers. The project proposes the idea of ‘wilderness’ as an internal and external reference: an environment that governs itself\, where you’re reliant on the things you’ve carried with you\, on ground that is uneven underfoot. Traveling through\, one may encounter circumstances with potential to hurt\, to injure. How can slips\, blisters\, and breaks and be mended? What helpful stitches connect torn tissue\, and better yet\, prevent more injury from the start? \nArtist contributions by Kit Holden Ada\, Lux Gow-Habrich\, Liv Mansveld\, Dan Merino\, and Amber Santos\nDesign by Copy Shop Books\nIllustrations by Undine Foulds\nPublished by MSVU Art Gallery[/vc_column_text][divider line_type=”No Line”][vc_column_text]\nAbout the Curator\nUndine Foulds is an interdisciplinary artist\, facilitator\, and curator of Métis and Irish decent. She knows home along the Kootenay River\, the swah’netk’qhu/Columbia River\, the Salish Sea\, and is currently living with the North Atlantic Ocean\, in Kjipuktuk/Halifax\, where she received an Interdisciplinary BFA from the Nova Scotia College of Art and Design in 2020. Motivated by doing things with and for others (collective art projects\, backcountry hiking\, tanning deer hides\, or sharing dinner)\, she endeavors to connect more than keep separate. Undine often makes things out of clay and is more interested in what a vessel can contain than its name. \nUndine was Halifax’s Young Curator\, 2021-22\, a position shared with Dalhousie Art Gallery\, MSVU Art Gallery and Saint Mary’s University Art Gallery\, funded in part by Young Canada Works – Building Careers in Heritage.[/vc_column_text][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line”][divider line_type=”No Line”][vc_column_text]\nHow to get a copy\nFracture/Suture is available for free via the following ways: \n\nPick up at MSVU Art Gallery during regular Gallery hours or by appointment\nEmail art.gallery@msvu.ca with your mailing information and Gallery staff will send you a copy by post (while supplies last)\nDownload a digital copy (screen-reader-friendly PDF)\n\n[/vc_column_text][/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line”][image_with_animation image_url=”20334″ image_size=”medium” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”center” img_link_target=”_blank” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” img_link=”https://www.msvuart.ca/wp-content/uploads/2023/12/Fracture-Suture-MSVU-Art-Gallery.pdf”][vc_column_text]\nFracture/Suture (PDF) \n[/vc_column_text][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line”][divider line_type=”No Line”][divider line_type=”No Line”][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_gallery type=”image_grid” images=”20195\,20196\,20197″ image_grid_loading=”default” display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/fracture-suture/
CATEGORIES:Design
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2023/06/illustration-scaled-e1687445115390.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20151203
DTEND;VALUE=DATE:20160222
DTSTAMP:20260526T095534
CREATED:20190815T151424Z
LAST-MODIFIED:20190815T164457Z
UID:10000189-1449100800-1456099199@www.msvuart.ca
SUMMARY:Robert Tombs: Index. Graphic Works 1985-2015
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Operating within the tradition of the artist/typographer/designer\, Robert Tombs’ practice incorporates print\, photography and site-specific installation. The body of graphic work presented in this exhibition represents Tombs’ collaborations with numerous artists\, writers\, artist-run centres\, art galleries\, academic presses and printers to create books and artist-related publications. Viewed collectively\, the printed matter emerging from these partnerships provides a survey not only of Tombs’ design work but also his clients’ projects and publications over the last thirty years. \nThe exhibition catalogue\, designed by Tombs and featuring critical essays by Michael Davidge and Marina Roy\, functions as the latest contribution to Robert Tombs: Index. Graphic Works 1985–2015. \nArtist Talk Saturday\, February 6 at 2:00pm\nRobert Tombs will offer an illustrated talk about his different design approaches when working on projects for MSVU Art Gallery\, Owens Art Gallery\, Cornell University Press and independent artist publishers.[/vc_column_text][vc_gallery type=”image_grid” images=”17241\,17242″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/robert-tombs-index-graphic-works-1985-2015/
CATEGORIES:Design,Modernist Survivals
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Voices-in-Longitude-and-Latitude-a-video-installation-by-Marnina-Noam-Gonick-exhibition-catalogue-MSVU-Art-Gallery-Design-Robert-Tombs-Studio-2014.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130112
DTEND;VALUE=DATE:20130225
DTSTAMP:20260526T095534
CREATED:20190815T174601Z
LAST-MODIFIED:20190815T174601Z
UID:10000194-1357948800-1361750399@www.msvuart.ca
SUMMARY:Activist Ink
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Emily Davidson\, Dan O’Neill and Ericka Walker are three Haligonian printmakers whose work revives the history of socially engaged printmaking. \nDavidson has chosen the radical format of “agitprop” for her body of work. In the form of letterpress posters\, pamphlets and other ephemera\, Davidson’s militantly analogue printed matter advocates alternative forms of social organization in a future\, post-capitalist era. \nEricka Walker\, interests herself in the visual rhetoric of state propaganda\, specifically patriotic American posters of the first and second world wars. Her traditional-looking\, hand-drawn lithographs present nightmarishly altered farm and war machines alongside counter-intuitive slogans. \nAs one of the few “out” gay artists practicing in Halifax\, Dan O’Neill’s lithographs range from the subversive to the outrageous. His elaborately collaged compositions appropriate popular imagery in the manner of queer activist movements of the 1980s and 90s—but with targets more numerous and various.[/vc_column_text][vc_gallery type=”image_grid” images=”17291\,17290\,17289\,17288\,17287″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/activist-ink/
CATEGORIES:Design,Drawing & Printmaking,Emerging Artists,Nova Scotian Artists
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Dan-O’Neill-And-then-be-vapourized-on-and-all-2011.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20081018
DTEND;VALUE=DATE:20081124
DTSTAMP:20260526T095534
CREATED:20190816T141829Z
LAST-MODIFIED:20190816T141829Z
UID:10000182-1224288000-1227484799@www.msvuart.ca
SUMMARY:Danish Modern: Suzanne Swannie Textil
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Suzanne Swannie is a Halifax-based designer and weaver who creates functional textiles\, tapestries and large architectural installations for private and public environments. She also weaves pictorial tapestries and is known for unique fabric constructions such as the gallery installation Repassage. Both the woven works and the constructions display the “Danish Modern” principle of repetition of modular units as a means of generating surfaces and structures with a typical emphasis on rich colour harmonies. \nSwannie’s integrated sensibility—the legacy of her Scandinavian training—allows her to move adroitly between industry\, craft and the art world\, gaining from each\, apologizing to none. The retrospective selection includes tapestry works from the 1970s; pieced and appliqueed wall textiles created in collaboration with the Mi’kmaq women of Eskasoni Reserve (1977-1980); production household textiles (1980s); the creased-silk installation Repassage (1986); subsequent tapestry carpets and their paper studies (1990s\, 2000s); and the major figurative tapestry triptych completed in 2007. \nThe exhibition catalogue contains essays by Sheila Stevenson\, Halifax\, and Rachel Gotlieb\, Toronto and Ron Shuebrooke\, Guelph. Support from the Canada Council for the Arts and Nova Scotia Tourism\, Culture & Heritage is gratefully acknowledged.[/vc_column_text][vc_gallery type=”image_grid” images=”17125\,17116\,17115\,17119\,17120\,17111\,17110\,17109″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/danish-modern-suzanne-swannie-textil/
CATEGORIES:Design,Modernist Survivals,Nova Scotian Artists,Textiles
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Brud-I-2004Brud-II-2004-Installation-view-2004.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20070623
DTEND;VALUE=DATE:20070917
DTSTAMP:20260526T095534
CREATED:20210128T170413Z
LAST-MODIFIED:20210128T170413Z
UID:10000219-1182556800-1189987199@www.msvuart.ca
SUMMARY:For Example (Moodie\, Thib\, Walker)
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]This is the first in a series of four themed micro exhibitions commissioned from the New York-based Canadian artist Micah Lexier. The For Example exhibitions each incorporate works by three artists\, housed in identical\, separate vitrines. \nThe current exhibition draws attention to all-overness of composition\, and the density achieved by layering and distribution of motifs over a given pictorial field. Each work by Kim Moodie (a teeming\, edge-to-edge drawing)\, Jeannie Thib (stacked wood) and Joy Walker (silkscreened cloth) is housed in its own vitrine and must be viewed from above\, instead of in the traditional\, wall-mounted fashion. \nFor more than two decades\, London\, Ontario artist Kim Moodie has woven a personal vocabulary of imagery into complexly layered line drawings. His work finds a natural affinity with that of a new generation of artists who have returned to drawing as a primary practice. Inspired by classical painting\, Moodie’s unique imagery suggests Mexican “Day of the Dead” depictions\, medieval manuscript illuminations\, and underground comix. \nOrnament and pattern are the focus of Toronto artist Jeanne Thib’s installations\, sculptures\, print works and drawings. Historical designs\, altered through magnification and repetition\, are remade in altered forms using industrial materials. Motifs accumulated through cutting and stacking create nets and spills\, stepped landscapes and architectural models. These works invert the expected relationships between ornament and architecture\, culture and nature\, original and copy. \nJoy Walker is a Toronto textile artist who owns and operates WORK Textiles (since 1995)\, producing custom silkscreen printed fabrics. Her fabrics have been sold in retail stores throughout Canada and the U.S. Walker teaches in the Textile Department of Sheridan College\, Ontario. Micah Lexier notes that in Punctuation/Red Repeat: “Joy alternates the red and black motifs\, in some cases rotating them\, to generate a dense field that is both uniform and individuated…The work is deceptively simple\, yet maintains a dynamic tension between the distinctiveness of its individual elements and the consistency of its overall composition.” \nMeet the curator at the opening reception on Saturday\, June 23rd from 2:oopm to 5:00pm.[/vc_column_text][divider line_type=”No Line”][vc_gallery type=”image_grid” images=”19052\,19053\,19054″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/for-example-moodie-thib-walker/
CATEGORIES:Design,Drawing & Printmaking,Textiles
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2020/02/Kim-Moodie-Untitled-detail-2006-Indian-Ink-on-paper.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20060805
DTEND;VALUE=DATE:20061003
DTSTAMP:20260526T095534
CREATED:20190816T160824Z
LAST-MODIFIED:20190816T160824Z
UID:10000079-1154736000-1159833599@www.msvuart.ca
SUMMARY:Micah Lexier: To Be Sorted
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]To Be Sorted includes three vitrine displays of objects from the collection of Micah Lexier\, with each display accompanied by one of the artist’s works. \n\nBlank\nCircle to Square\nOrganizing Principle\n\nThe exhibition is circulated by Contemporary Art Gallery\, Vancouver. \nLexier\, a Canadian artist based in New York\, has developed his practice out of a reconsideration of the quasi-documentary strategies of early conceptual art\, retooled to accommodate his concerns with time\, identity and difference. Lexier has a sustained interest in the ephemeral products of conceptually based practices and over the past twenty years has amassed an extensive collection of such materials. He’s also collected hundreds of anonymous products that share similar graphic and aesthetic qualities. The individual objects in the collection include a large number of coins\, printed materials such as stationery\, score cards and books\, artists’ books and multiples\, packaging\, tools\, magic tricks\, and fragments of perforated cardboard found in the street.[/vc_column_text][vc_gallery type=”image_grid” images=”17008\,17021\,17020\,17015\,17012″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/micah-lexier-to-be-sorted/
CATEGORIES:Design
ATTACH;FMTTYPE=image/png:https://www.msvuart.ca/wp-content/uploads/2019/08/Installation-View-Micah-Lexier-To-Be-Sorted-MSVU-Art-Gallery-Photo-Steve-Farmer-2006-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20060115
DTEND;VALUE=DATE:20060201
DTSTAMP:20260526T095534
CREATED:20190816T162733Z
LAST-MODIFIED:20190816T162733Z
UID:10000058-1137283200-1138751999@www.msvuart.ca
SUMMARY:Alice Egan Hagen (1872-1972)\, Nova Scotian China Painter - Window Box Series
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Alice Egan Hagen\, an alumna of Mount Saint Vincent Academy\, is considered a pioneer of studio pottery in Nova Scotia. She was in her early sixties when\, in 1931\, she decided to learn to make pottery so as to teach it to others. Soon she had set up kilns at several locales and was conducting pottery classes. She continued to sell pottery from her home in Mahone Bay well after her ninetieth birthday. \nIn the early 20th century\, women who actively pursued education and professional careers were referred to as “New Women”. Alice Hagen fits this description: she financed her education as a china painter and made her living in this profession before transforming herself into a self-taught potter. Her contemporaries\, Helen Creighton\, the Nova Scotian folklorist\, and Mary Black\, the Nova Scotian craft promoter\, were also “New Women”. All three of these entrepreneurial women shaped the cultural profile of Nova Scotia as we know it today. \nThis exhibition presents four china vessels painted by Alice Egan Hagen around the turn of the nineteenth century. Three of the items have been selected from the large collection she donated to the University in 1966. \nWhen the young Alice Egan began to study the art in Halifax in the 1890s\, china painting was one the few occupations regarded as suitable for respectable women. (Some of the other approved occupations were dress-making\, teaching school\, and running boarding houses.) Egan enjoyed an international reputation for china painting and received several major commissions\, besides keeping up a flourishing teaching practice. \nChina painting is the hand decoration of commercially manufactured blank forms which have already been fired with a clear glaze. The china painter applies low-fire overglaze colours and fires the piece again. Alice Hagen\, for example\, used blanks imported from France\, Britain\, Bavaria and Japan\, among other countries. She worked in her own professional studio at the corner of Barrington and Sackville Streets in Halifax. In the late 19th century only a few women worked as professionals in china factories such as those operated by Wedgewood and Doulton. Most industrial or commercial china painters were men.[/vc_column_text][vc_gallery type=”image_grid” images=”16937\,16938\,16939″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/alice-egan-hagen-1872-1972-nova-scotian-china-painter-window-box-series/
CATEGORIES:Design,Feminisms,Gender & Sexuality,Nova Scotian Artists
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Alice-Hagen.-Jardinière-with-Mi’kmaq-Portraits-1901.-French-porcelain-handpainted-in-enamel-overglaze-and-gilt-20.5-x-29.2-cm.-MSVU-Collection-date-unknown.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20041023
DTEND;VALUE=DATE:20041213
DTSTAMP:20260526T095534
CREATED:20190816T163712Z
LAST-MODIFIED:20190816T163712Z
UID:10000054-1098489600-1102895999@www.msvuart.ca
SUMMARY:Shifting Ground: Woven Works by Suzanne Swannie
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]For several years the Haligonian textile artist Suzanne Swannie has been weaving functional floor coverings for private and public environments. Her training in Danish design and weaving techniques informs the modular design of her reduced tapestry carpets. Shifting Ground includes two brilliantly coloured new carpets plus paper and fibre preparatory studies. Concerning her process\, Swannie comments that\, “To obtain a ‘live’ surface in these works I hand dye all weft yarns. Also\, while observing restraints imposed by technique and utilitarian requirements\, I like to set myself limitations in the design elements. Triangular forms are dominant\, and serve the idea of geological ‘shifts’ which are perhaps open to a wider interpretation.” \nOPENING On Sunday\, October 31 at 3:00pm\, craft historian Sandra Alfoldy will speak briefly about the exhibition; the artist will be present. Board the chartered bus that leaves 5163 Duke Street at 2:30pm. The bus will return passengers to downtown at 4:30pm.[/vc_column_text][vc_gallery type=”image_grid” images=”16922\,16923″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/shifting-ground-woven-works-by-suzanne-swannie/
CATEGORIES:Design,Nova Scotian Artists,Textiles
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Carpet-in-progress-on-the-loom-2004-Photo-courtesy-of-Suzanne-Swannie-2004.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20041014
DTEND;VALUE=DATE:20041122
DTSTAMP:20260526T095534
CREATED:20190816T163851Z
LAST-MODIFIED:20190816T163851Z
UID:10000051-1097712000-1101081599@www.msvuart.ca
SUMMARY:Godless at the Workbench
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Organized by Dunlop Art Gallery \nAfter the October Revolution\, the Soviet government worked to secularize the labour force. One strategy was to flood the popular press with imagery that debunked religious superstition while promoting the emancipation of women and scientific practices in agriculture. Prominent artists such as Vladimir Mayakovsky and Aleksei Gan contributed images to the propaganda campaigns conducted in satirical and anti-religious journals. \nCanadian art historian Annie Gérin selected the Soviet journals\, posters\, photographs and film (1918-1939) from the holdings of the British collector David King. The exhibition offers a gripping study of tensions between religion and the modern state as played out in state-controlled mass media. Historians may want to draw comparisons with Quebec’s Quiet Revolution and the “faith-based” shift in US political rhetoric. \nA SPECIAL LECTURE by Annie Gérin will be held in the gallery on Sunday\, 14 November at 3 pm. The chartered bus leaves 5163 Duke Street at 2:00 pm\, returning to the Mount at 5 pm to take passengers to the Khyber on Barrington Street.[/vc_column_text][vc_gallery type=”image_grid” images=”16918\,16919″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/godless-at-the-workbench/
CATEGORIES:Design,Drawing & Printmaking
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Muscovites-reading-the-journal-Godless-1920s.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20030910
DTEND;VALUE=DATE:20031027
DTSTAMP:20260526T095534
CREATED:20190816T165824Z
LAST-MODIFIED:20190816T165824Z
UID:10000154-1063152000-1067212799@www.msvuart.ca
SUMMARY:Mean Feet (Window Box)
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]The logic of the commodity is fetishist. The logic of shoe collecting is — what logic? Do you have fetish footwear buried deep in your closet? It is time to bring out your shoes. \nIn the spirit of Miss General Idea\, the gallery has invited women\, men and others to contribute one sexy specimen of feminine footwear to an exhibition in the library showcases. Entries from on- and off-campus were welcome. Security: excellent; discretion: guaranteed; gallery staff reserved the right to restrict entries. Shoes could be entered between 25 August and 4 September\, for return in time for Hallowe’en\, 28 through 31 October. Viewers voted for their favourite shoes and a $50 cash prize was awarded.[/vc_column_text][vc_gallery type=”image_grid” images=”16834\,16835\,16836\,16837\,16838″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/mean-feet-window-box/
CATEGORIES:Design
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Kenneth-Willis-and-James-Whitfield.-By-Any-Means-Necessary.-Acrylic-and-felt-on-canvas-New-York-243.84-x-213.36-cm.-Collection-of-Visual-Studies-Workshop-c.-1990.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:19981109
DTEND;VALUE=DATE:19981219
DTSTAMP:20260526T095534
CREATED:20190816T174202Z
LAST-MODIFIED:20190816T174202Z
UID:10000124-910569600-914025599@www.msvuart.ca
SUMMARY:Grid Works (Window Box)
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Grid Works was conceived as a miniature\, “satellite” pendant to two concurrent shows in the main gallery (1\,000\,000 Grapes and Notification 1)\, since all used modularity as a common organizing principle \nThe installation consisted of four works from the university collection that ranged across three decades and encompassed various media. These included Untitled No. 4 (1976)\, an intaglio print by Marion Mertens; Imaginary Landscapes (1980)\, four miniature tapestries by Suzanne Swannie; Untitled (Basket Panel) (1978)\, a basket-woven wallpiece by Mi’kmaq artist\, Margaret Johnson; and\, connect-the-dots (1996)\, graphite tracings on perforated acoustic tiles\, by Kelly Mark.[/vc_column_text][vc_gallery type=”image_grid” images=”14933\,14934\,14932\,14935″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/grid-works-window-box/
CATEGORIES:Design,Drawing & Printmaking
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Margaret-Johnson.-Untitled-1978.-Black-ash-splints-sweetgrass-105-x-109-cm.-MSVU-collection-1979.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:19981024
DTEND;VALUE=DATE:19981214
DTSTAMP:20260526T095534
CREATED:20190816T174559Z
LAST-MODIFIED:20190816T174559Z
UID:10000122-909187200-913593599@www.msvuart.ca
SUMMARY:Notification 1
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Toronto-based artist Arnaud Maggs has acquired a reputation for his series of 96 photographs that obsessively examine the signs of identity\, whether as indexical trace or as denotative code. Notification 1 is composed of 96 colour photographs of the backs of envelopes used for the mailing of death notices in France in the late 19th and early 20th centuries. Mounted in a grid\, these images produce a striking graphic pattern with their large black “Xs.” The effect\, which dawns gradually\, is one of full-frontal documentary abstraction.[/vc_column_text][vc_gallery type=”image_grid” images=”16628″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/notification-1/
CATEGORIES:Design,Modernist Survivals,Photography
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/08/Arnaud-Maggs.-Notification-1.-Colour-photographs-1996.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:19980110
DTEND;VALUE=DATE:19980302
DTSTAMP:20260526T095534
CREATED:20190816T175737Z
LAST-MODIFIED:20190816T175737Z
UID:10000009-884390400-888796799@www.msvuart.ca
SUMMARY:Imaginary Places
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Pamela Ritchie\, who lives in Boutilier’s Point\, Nova Scotia\, teaches jewellery at the Nova Scotia College of Art and Design (NSCAD). She has exhibited her jewellery and metalwork around the world\, but only infrequently in Halifax. \nIn Imaginary Places\, Ritchie revisited the traditional Norwegian filigree designs that captured her interest in 1979. The exhibition included Concatenation\, a series of brooches\, earrings and pendants begun in 1992\, and new pieces in which wire filigree and other applied elements adorn similar shapes. The installation emphasized the signifying potential of these objects\, in addition to their ornamental function.[/vc_column_text][vc_gallery type=”image_grid” images=”16575″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/imaginary-places/
CATEGORIES:Design,Nova Scotian Artists
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/07/Pamela-Ritchie.-Brooch.-Sterling-silver-24K-gold-9.5-x-2-x-1cm-1996.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:19971011
DTEND;VALUE=DATE:19971117
DTSTAMP:20260526T095534
CREATED:20190816T180006Z
LAST-MODIFIED:20190816T180006Z
UID:10000007-876528000-879724799@www.msvuart.ca
SUMMARY:Queer Looking\, Queer Acting - Lesbian and Gay Vernacular
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Halifax is a centre of lesbian and gay cultural production. Much of this activity\, including that of professional artists and designers\, has had a vernacular character\, arising from the activist project of gay and lesbian liberation. Consequently\, the material on exhibition included posters\, placards\, t-shirts\, and other forms of printed ephemera\, in addition to performance and video.[/vc_column_text][vc_gallery type=”image_grid” images=”16564″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/queer-looking-queer-acting-lesbian-and-gay-vernacular/
CATEGORIES:Design,Nova Scotian Artists
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/07/From-the-Queer-Looking-Queer-Acting-exhibition-Unknown.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:19961025
DTEND;VALUE=DATE:19961216
DTSTAMP:20260526T095534
CREATED:20190816T181003Z
LAST-MODIFIED:20190816T181003Z
UID:10000105-846201600-850694399@www.msvuart.ca
SUMMARY:Barbara Albert: Armour and Ornament (Window Box)
DESCRIPTION:[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]This off-site show inaugurated the Window Box series\, which aims to expand the audience for art while developing the skills of emergent curators. Dawn Jaya organized a thematic statement around and exquisite chain-mail jacket\, Femail\, made by Halifax artist Barbara Albert.[/vc_column_text][vc_gallery type=”image_grid” images=”16505\,16506″ display_title_caption=”true” layout=”3″ masonry_style=”true” item_spacing=”default” gallery_style=”2″ load_in_animation=”none”][divider line_type=”No Line”][/vc_column][/vc_row]
URL:https://www.msvuart.ca/exhibition/barbara-albert-armour-and-ornament-window-box/
CATEGORIES:Design,Feminisms,Gender & Sexuality,Nova Scotian Artists
ATTACH;FMTTYPE=image/jpeg:https://www.msvuart.ca/wp-content/uploads/2019/07/Barbara-Albert.-Chainmail-jacket-and-skirt-1996.jpg
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