Andrea Ward’s 41-piece series gives voice to women’s concerns about this one aspect of their appearance: their hair.
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By accentuating MSVU Art Gallery’s resemblance to a port shed, this installation by sisters Suzanne and Claire Paquet prompted viewers to experience it as scene rather than place.
Provoking a decidedly mixed response, this exhibition surveyed three bodies of work completed by Peter Walker since 1993.
Suzy Lake’s small constructions in plaster and photo-collage incorporated photographs of herself performing apparently mundane gestures.
This exhibition was composed of works by artists whose ritualized production processes and presentation strategies intensify the terms of viewer engagement.
Chris Woods enjoys a reputation as an accomplished draughtsman and producer of experimental audio and video.
Halifax painter Alisa Snyder’s suite of paintings depicts marginal landscapes: the scrubby growth at the edges of woods and residential plots.
This selection of cloths embroidered by Maya women from Chiapas, Mexico, provoked strong viewer response.
A series of 13 photo-assemblages combining text, photographs and natural objects by the St. John’s-based artist focuses on signs in public recreational areas in Newfoundland.
Ferguson’s work is composed of 100 square, stretched canvases stencilled in black with an irregular, dot-like motif (or 10,000 “grapes”), installed in a closely spaced grid.
