
This exhibition comprised hand-rendered images derived from photographs, whose cumulative effect of authenticity may be traced to the camera’s legacy of truth-telling and the autographic mark associated with painting.
This exhibition comprised hand-rendered images derived from photographs, whose cumulative effect of authenticity may be traced to the camera’s legacy of truth-telling and the autographic mark associated with painting.
To demonstrate how artmaking counteracts the effects of privation, the Toronto-based curators Kim Fullerton and Cheryl Sourkes made an exhibition of works by young artists from Vancouver, Saskatoon, Toronto, Montreal, and Halifax.