Exhibitions
In this section, you will find
¤ 211 descriptions and
¤ 668 images organized into
¤ 20 themes, referring to
¤ 550 artists and
¤ 87 curators
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Home » Exhibitions
Exhibitions
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Chromophilia
16 Mar 2013 – 21 May 2013
Chromophilia is a neologism meaning love of colour. The aesthetic priority given to colour is the quality shared by the recent acquisitions in this exhibition.
New Work by Steve Higgins
20 Apr 2013 – 28 Jul 2013
By transposing his charcoal drawings into a wooden structure, Steve Higgins will create a temporary sculpture on an ambitious scale rarely seen in Halifax.
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Forthcoming
Halifax Harbour in War Time by Arthur Lismer
23 May 2013 – 11 Aug 2013
The exhibition contains five paintings and four lithographs completed during Lismer’s tenure as Principal of the Victoria School of Art and Design (now Nova Scotia College of Art and Design) in the period 1916-1919.
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Rosalie Favell: Living Evidence
19 Nov 2011 – 19 Feb 2012
Living Evidence is Rosalie Favell’s first serial photographic self-portrait; it follows her earlier attempts to reclaim a First Nations identity by photographing aboriginal women. Truthful and brave, Living Evidence exhibits the appealing vulnerability that continues to characterize this artist’s photo-based work. |
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too small too big
29 May 2004 – 27 Jun 2004
This exhibition is composed of works on paper by Canadian artists who make strategic use of textured media such as makeup, paper collage, electrical tape, and human hair. |
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Portraits: Unsettled Subjects
24 Jun 2001 – 22 Jul 2001
Realized in painting, photography, sculpture, print media and video, these mostly contemporary works, drawn from the MSVU collection and loans from various Canadian sources, deploy individual likenesses in the service of social critique. |
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In Absentia
7 Mar 1998 – 17 May 1998
Composed of loans and works from the MSVU collection, this exhibition surveyed feminist approaches to autobiographical narrative. |
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Living Evidence
15 Oct 1994 – 4 Dec 1994
Rosalie Favell's project, which consists of a suite of inscribed and altered Polaroid enlargements, revises the family snapshot genre to accommodate a fractured tale of troubled love between herself and another indigenous woman. |
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